Gallus Arts Advisory is the arts support organisation run by Sophie Travers. Sophie is currently based in Brussels, so Gallus is dormant until she returns to Australia in August 2013. In the last five years, Sophie has developed Gallus to become one of the most dynamic and responsive supporters of the performing arts in Australia. Sophie is currently Project Director for Australia Council’s IETM Collaboration Project. Upon her return to Australia, Sophie looks forward to reconnecting with Gallus clients previous and new and to finding ways to develop her international work. For more information please click through the menus of services or search the database of projects.
6313_travers_brussles_moules May 2, 2013
the-scale-of-love May 1, 2013
IMG_4157 April 27, 2013
Halles-Trouble-Jour-1- April 27, 2013

Who says there is no money in Europe?

April 24, 2013

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http://www.theatrenational.be There was a rather queasy display of wealth on the stage and in the auditorium at the opening night of Michele Noiret’s Hors-Champ at the Theatre National this week. When much of my daily work and life revolves around “the crisis” and austerity measures affecting life and work in Europe, it felt slightly immoral […]

Posted in: Dance, International

Co-Production Manual contribution to ASEF publication

April 24, 2013

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http://culture360.org/asef-news/e-publication-serving-artists-serves-the-public-programming-arts-festivals-in-asia-and-europe-2/   An excerpt from the KAMS/IETM publication I co-authored in 2011, see separate entry in this blog, was included in a new publication by the Asia Europe Foundation and launched at EFA’s General Assembly and Conference in Granada, Spain this month. Published by ASEF, the European Festivals Association (EFA), and the LASALLE College of the Arts, […]

Compil d’Avril Festival, Brussels

April 18, 2013

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http://www.charleroi-danses.be   Another week, another arts festival in Brussels. After a busy IETM meeting in Dublin, I was rather underenthused about the prospect of an intensive period of arts attendance, but the lure of discovering some new venues in Brussels (La Raffinerie and the Grand Studio) as well as the chance to see some artists […]

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